You are here

Wesley Gibbings

Monday, May 22, 2017
It does not always follow that instructive or “message” theatre diminishes entertainment and artistic value. But it can.
Wednesday, May 17, 2017
​Have you ever been a respondent in a social research project and thought the researchers had already come to a conclusion about its eventual outcome, but were purely seeking some kind of public valid
Thursday, May 18, 2017
​The Iere Theatre Productions group returns to the big stage in time for Indian Arrival Day with a production, Takdir, that pays tribute to the indentured labourers who reached these shores from the I
Thursday, May 11, 2017
Even as obsessive Trini Trumphobes were being outraged by US Republican Rep Raúl Labrador’s comment that “Nobody dies because they don’t have access to healthcare,” a patient from one of our own neigh
Wednesday, April 26, 2017
It is possible, for instance, to travel kilometre-upon-kilometre from town-to-town along almost any major roadway on the island and lose count of the number of signs advertising the sale of goods and
Wednesday, April 26, 2017
At least on screen, dance director Bridget Wilson seems as fresh as a daisy at 10 in the evening, London time, five hours ahead of rehearsals for Two of a Kind - the latest production of the Metamorph
Wednesday, April 19, 2017
For now, there are no elections in sight. Good. So, it’s the perfect time to talk and think about elections and political parties. The financing of election campaigns in particular.
Wednesday, April 12, 2017
The amazing photograph of young Birmingham resident Saffiyah Khan facing down racists in her city last weekend appeared in the UK press at the same time the Brixton-based Black Cultural Archives was p
Wednesday, April 5, 2017
Recent global events ought to be diverting far more of the Caribbean region’s attention in the direction of the scope and nature of our own engagement of the integration process.
Thursday, March 30, 2017
Derek Walcott’s famous collaborations with award-winning Canadian-American music producer, Galt McDermot, included productions such as The Charlatan, The Joker of Seville and, the much less acclaimed,

Pages